Tuesday, April 20, 2010

pattern with color

phew! just after midnight & i think i am all right. separate posts for the patterns & the texture pages. i think that's best.

so i decided to go with the boots for my pattern. i did a quick scale variation of the existing b&w pattern:



& then i chose a color palette:


& applied it to the pattern:


BAM, as they say.

EDITED TO ADD TWO VARIATIONS ON THIS THEME THAT I DO NOT LIKE NEARLY AS MUCH





there. ok. done.

Monday, April 19, 2010

getting carried away out there

so it looks like my cover design is going through.

!!!!!

it didn't feel real until i was asked to provide a high-res version of just the front, for web use [the site, powell's, goodreads, etc]. that's my design & it's going to be all over the interwebs.

i mean, i still have to work in some elements from the publisher & hand-redo a little bit of type. yes, all of the type on the cover was handworked. but there's something soothing about the process, about working with your hands, you know? especially with type.

what does it look like? well i don't know that i should give it all away so soon. how about i just give you a process peek?


i have some slightly unconventional layer naming practices, that's for sure.

more later, i promise. i have some texture spreads for the color book almost ready to hit the blog. feeling good about things if also super stressed & so exhausted i have to take three-hour naps after coming home every day. them's the breaks, i guess.

ps: sasha just wrote up a big ol' post about the book in question, in case you're interested in hearing the back story there. can i say i am proud of him? does that sound weird? because i am so proud & glad & thrilled. so there.

Tuesday, April 13, 2010

when all our days are covered

so i know this has nothing to do with color per se

but i was really happy with how these came out

earlier today sasha modeled & i shot some photos for a cover design i'm working on for his book, when all our days are numbered marching bands will fill the streets & we will not hear them because we are upstairs in the clouds. yeah. try coming up with innovative ways to set that much text. [& if you have ideas let me know. chances are i've already tried them but you never know!]

but anyway the photos:





neither of these is usable for the cover but some of the other shots seem promising. here's hoping everything comes out so well.

Monday, April 12, 2010

brandishing the tin. & the boots. & the horseshoes.

i had something to say here about how i was invited to do a workshop with experimental jetset, & how happy i was with my piece, & how wonderful they were to work with, but i felt weird about it so down it went. mostly i felt weird about the photos i took of my piece, which were taken via photobooth & which i have to reshoot with a real camera. but the point is that this post is not about that.

instead, this post will contain this week's color homework, which is perhaps ironically in black & white.

three images. three patterns. ONLY ONE WILL SURVIVE PROBABLY ALL WILL SURVIVE IN SOME FORM OR ANOTHER







the badges especially look way better when color is introduced. dusty gold & tin. thinking a rust color for the boots, & maybe some kind of dried bone for the horseshoes. even though yes i know horseshoes are made of metal but it's about a kind of contrast.

did you know there are power outlets at the end of most train cars that run on the metro-north harlem line? there are! this post is brought to you by the power outlets at the end of the train cars i was on today on the harlem line. thank you, power outlets!

Tuesday, April 6, 2010

progress that feels right

as my man would say: lordy.

it has been a rough week or so with projects & projects & projects & work & having to go home to fix my phone & then my replacement phone breaking & nothing really solidifying & also the fact that i am getting sick & & &

i have not been sleeping anywhere near enough & i have consequently felt unable to make any progress on any of the projects that really ought to be progressing

& this sounds like a lot of complaining but who do i have to complain to here? so no, it is not complaining; it is getting all this out of my system so maybe i can keep on keepin' on.

the color book is one of those projects that i have been slowly slowly working on for weeks. i've changed my format over & over & over. originally i wanted a tiny tiny book & then a large-format interactive piece; then it was a smaller booklet [what i showed in class]; then, determining that that looked too much like a powerpoint presentation, i went back to the large-format idea & decided to make it look like newspapers from the gold rush, but while that functioned really well for text [of which my book has very little] it did not do so well for images [of which my book has TONS]; & so i decided to work instead with a series of postcards, each with an exercise on one side & an image on the back, but the disconnect between front & back was unworkable.

& then i got stuck.

thankfully, after talking the book out, i came upon what seemed like a workable solution—or at least it sounded doable, which was more than i could say for anything else.

nearly three hours later i have three spreads [ugh, need to ramp it up now, lady] & am actually super excited about how it is going.

would you like a peek?



that's all for now—i'd like to get some feedback from class tomorrow & work on it a bit more before posting. but i'm feeling way better about this than i did ever before, & really, that feeling is all i need to go on.

Sunday, April 4, 2010

on trending [an afterthought; maybe this is more on philosophy of design?]

after rereading that last post i realized that maybe it would not make much sense without knowing where i stand on design. this is a thing i am still working on formulating / articulating / establishing, & i know i know this is not the end-all-be-all stance for skyler on design.

the way i approach design is usually as one variant of problem-solving. did you ever do those lateral thinking puzzles as a kid? or read encyclopedia brown books? i did a lot. you're given a situation that includes hints at the answer, & you have to read carefully & think in non-obvious ways to come at the solution. i am not saying that this is how i think of design, but i am saying that this has influenced my thinking & how i approach problems. i look for the non-obvious solutions [though this often has to come after getting the obvious ones out of the way].

not only that, but design is individual & personal. what works as a solution in one instance is likely not going to be as effective a solution in another. only a careful understanding of the problem or situation or brief or project will reveal all possible solutions—or, perhaps more accurately, all those solutions i as designer can think of; others' processes will of course yield different results—& then it is up to trial & error & best judgment to determine which of those is viable.

when i look at design work, whether it's a project for a client, a side- or pet-project, or my graduate schoolwork, i know i am committed to spending time understanding it & developing my own solutions. one of my personal strengths [i feel; generally i am hesitant to say that i have any strengths, because of self-esteem or the lack thereof, but this is something i find myself drawing on a lot in my work] is my ability to look at the whole, & ask pertinent questions to get all information, & see different angles, & communicate with the person behind the problem—because there always is one, whether it is a client or a professor or a body of users or just me.

the title of this blog, periphronica, comes from my studies for my undergraduate thesis, which was on homer's odyssey. the greek word periphron is used only [but repeatedly] about odysseus' wife, penelope, who had to maintain her family's palace and kingdom and status for the years her husband was away at the trojan war. the word itself is best defined as a whole of parts:

  • peri, like perimeter, means 'around', with the associations of 'circumference' or some kind of physical space

  • phron means 'thought' or 'care' or 'attention' or 'awareness' or 'understanding'

so, put them together, & you have something like 'circumspect', but in a much more real way: you have a conscious & thoughtful awareness of every single thing happening around you.

the reason i chose this word for my blog & also the reason i went into this small tangent at a point that might have seemed incongruous is that this periphronic awareness is something i find incredibly rewarding, & something i strive for in my work & life. just as how penelope could not hope to pave the way for her husband's homecoming without knowing the situation in all parts of her palace at all times, i find i can only come up with full, viable, & working solutions to design [or other!] problems without a full awareness of the problem, the situation, & its surrounding influences & elements.

believing strongly that this is the best way for me to approach design, or problems in general, i find it difficult to understand how others can rely so strongly on prescribed formulas for design—like, 'put a piece of yellow furniture in your room to have 5% happiness every day!' or, 'make everything this particular shade of blue because that's what versace used!' or, 'use helvetica because it will make everything look great!'. of course there are trends & there are patterns & there are things we like aesthetically more than others. but these things, i feel, should be determined on a case-by-case basis; there should never be one universal solution for design, because that one solution really only works for one instance, one person, one problem, one moment.

also i talk a lot & i talk big. have you noticed? please feel free to call me out on anything if you disagree. i am tough but fair!

Friday, April 2, 2010

on trending

so i think one of the things i am supposed to be doing is writing up a bit about class.

this past tuesday, we were joined by a representative from pantone, who generously talked with us for maybe two hours about pantone & what they do & what is going on in the world of color at this very moment. saying that the class was informative & interesting & taught me a lot feels halfhearted but it is true & i did learn a lot. ultimately i came away feeling similarly to how i did after our class trip to jonathan adler, which i did not blog about.

the idea of prescribed formulas for art or design doesn't sit well with me. one of the first things we learned at jonathan adler is that his designs are 95% chic & 5% happy. he also likes to split his aesthetic into three parts, which i think are something like natural & glam & pop, & draw on at least two of these three parts for everything he designs. yellow, we were told, was used to best effect as a happy color.

i still can't articulate fully what makes me so uncomfortable. part of it is the idea that jonathan adler is somehow coercing people into buying his yellow [or whatever] pieces in an attempt to encourage happiness in their lives. as someone who believes strongly that you [meaning one] have to make your [meaning one's] own happiness, that the only person or thing that can make you happy is yourself, the idea that happiness can come from a footstool in a bright color seems something like offensive to me. in addition to being a designer, jonathan adler is a retailer. there seems to me to be a lack of transparency in proclaiming that household goods in a certain color will improve your quality of life & oh by the way we have a number of such items for sale in our fine store. it may be that some people need rules like that to follow, & need retailers like that to tell them what to buy & how to use it, but i just don't buy it.

in a similar way, the idea of color trending strikes me as off-putting, too. it isn't so much that i am against trending, or record-keeping, or keeping abreast of what is happening in the world as it is that i am against bandwagon-jumping, or against following trends just because they are trends, or even [at times] acknowledging trends as trends & not just one person's take on a thing.

because one thing we learned from the pantone speaker was that color trends are primarily set by major, prominent fashion houses. the name versace was used frequently. & as a designer, i understand that it is my job & my responsibility to be aware that certain colors are being used by certain designers at certain times & to adjust my color sensitivities appropriately. but i am not going to spend time following the movements of fashion designers i have very little interest in following just so i can know what colors are 'in' or 'out' at this time. this makes me think of middle-school & the yearning desire to fit into some mold just to say you fit in. maybe you can tell i was also never one for fitting in. i am one for finding your own molds.

or something. basically what i am saying is that i think it's dumb to follow made-up rules just because they are there & someone made them up. it is always important to know what is out there, & pantone does much more than color trending [having a standardized color system is completely invaluable & i don't know what we would do without pantone], but i'd much rather struggle & work out my own color solutions than rely on color trends someone else has established. THE END.